Palatial Portal in Medicean Breccia, a type of marble named after the extensive use by the Medici family in Tuscany during the 16th century for cladding and decorations. Composed of a pair of vertical supporting elements topped by an entablature. Central core in stone, marble thickness 4 cm.
Dimensions: 274 x 247 x 12 cm
CODE: ANTPIE0000214
Decorative-Architectural Element Forming the Portal of a Palace, originally placed in an enclosed space as a passage between two representative rooms, this architectural portal dates back to the last quarter of the 16th century. It reflects the period of urban renewal in the Oltrarno district and Florence as a whole, when noble families sought to emulate the grand dukes by constructing noble residences aligned with the stylistic trends of Palazzo Pitti.
Palazzo Pitti had been acquired between 1549 and 1550 by Eleonora of Toledo, wife of Cosimo I de’ Medici and daughter of the Viceroy of Naples. The palace underwent significant renovations between 1560 and 1577 under the direction of Bartolomeo Ammannati, the sculptor and architect appointed as the official artist of Cosimo’s court. Ammannati redesigned the ground-floor windows, reconfigured the apartments, and, most notably, conceived the magnificent courtyard, contributing to the vibrant artistic period centered around the Medici court, aimed at glorifying the Grand Duke.
This historical context is particularly relevant, as our portal finds a notable comparison in the Venus Room of Palazzo Pitti. This room marks the beginning of the celebrated sequence of state apartments known as the “Planet Rooms” within the Winter Apartment on the noble floor of the palace. With a high degree of certainty, the architectural elements of this space have remained unchanged over time. While modifications have occurred throughout the centuries, they were largely limited to the façade, staircases, or peripheral sections of the palace. Fresco decorations and stuccoes, of course, belong to a different discourse.
Beyond the identical structural layout, the visual similarity between the type of Medicean Breccia used for the Venus Room portal and that of the examined portal is striking.
It is important to note that this type of marble exhibits variations in appearance not only between different quarries but also within the same quarry at different stratigraphic levels. As quarrying continued through various historical periods, different varieties of the marble, sometimes significantly distinct in appearance, emerged.
Moreover, the attribute “Medicean” derives from the fact that its peak usage occurred under Cosimo I de’ Medici, Duke of the Florentine Republic (1537–1569) and the first Grand Duke of Tuscany (1569–1574). Holding a monopoly over the Seravezza quarries, Cosimo I transformed this richly veined marble into a symbol of his power, employing it in prestigious projects such as the choir of Florence Cathedral, Palazzo Pitti, and the Medici Chapels.
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