- Cabinet. Carlo Zen production, 1902
A masterful and remarkably modern architectural design for its time defines this piece of furniture, where straight or curved inclined planes overlap, combined with surfaces that may be smooth, fluted, or inlaid. The architectural structure is enriched by the precious figured mahogany that covers the piece.
The floral inlays are crafted in maple wood with mother-of-pearl inserts, each contained within a square section and connected by mahogany ribbons. The same floral motif is reproduced in the finely chiselled bronze used for the socket plate. The interiors are made of oak.
Dimensions: 220 ร 120 ร 58 cm
PRODUCT CODE: ANMOAM0271493
Carlo Zen (1851โ1918), originally from Verona, began his career as a producer of furniture in the eclectic style with his first company, Zara e Zen, of which he soon became the sole owner. At the end of the 19th century, he started approaching the new floral style, while still maintaining a production of eclectic furnishings.
As he embraced this emerging taste, he demonstrated a remarkable ability to absorb various international trends, offering not a single personal style, but rather a wide range of proposals. At the 1902 International Exhibition of Modern Decorative Art in Turin, Carlo Zen furnished an entire pavilion in collaboration with the Viennese firm Haas, a manufacturer of fabrics and carpets, which would later become his supplier for textiles.
In the exhibition catalogue of Turin, second volume, plate 39, a bedroom virtually identical to the one presented here is illustrated, with the exception of what appear to be variations in the marquetry. The chromatic interplay of the two rooms, however, is identical: the dark mahogany contrasts with the light-wood inlays, creating the same refined decorative effect.
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