{"id":1756,"date":"2023-05-25T09:23:58","date_gmt":"2023-05-25T07:23:58","guid":{"rendered":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/?p=1756"},"modified":"2023-05-25T09:26:28","modified_gmt":"2023-05-25T07:26:28","slug":"the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations","status":"publish","type":"post","link":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/","title":{"rendered":"Wood conservation: relative humidity (UR) and the main alterations"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h5 class=\"wp-block-heading\">Since ancient times, wood has been one of the best known and most used materials in the world.<\/h5>\n\n\n\n<p>Being a transformable and highly adaptable material, it helped to start man&#8217;s first technological processes: it was the first simple machine, i.e. the lever (partridge stick, wedge, bow), the first complex machine (plough, loom, mill ), the first means of transport (sleighs, carts, rafts), the first source of controllable energy (for cooking food, heating but also for craft activities such as ceramics, metallurgy, etc.).<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Wood has also always been used for artistic purposes. The surfaces can be more or less smooth, natural colored or impregnated, varnished, lacquered, gilded or painted.<br>Wood is therefore one of the most tested materials and, despite being of organic origin, with its properties it defies the centuries and millennia.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"287\" src=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/img-2-reggivaso750x500.jpg\" alt=\"\" class=\"wp-image-1757\" srcset=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/img-2-reggivaso750x500.jpg 430w, https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/img-2-reggivaso750x500-300x200.jpg 300w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"430\" height=\"287\" src=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/img3-reggivaso750x500.jpg\" alt=\"\" class=\"wp-image-1758\" srcset=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/img3-reggivaso750x500.jpg 430w, https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/img3-reggivaso750x500-300x200.jpg 300w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>You will be surprised to know that, even for a very wide range, wood is not very sensitive to sudden changes in temperature between 1 and 65 degrees. The real problem is given by humidity, which being closely related to temperature, makes it an important parameter to control. In fact, we know that as T increases, relative humidity decreases and vice versa. The reason why moisture is one of the biggest threats to wood is that it is a hygroscopic material.<\/p>\n\n\n\n<p>Consequently, wood absorbs or releases humidity in an attempt to maintain equilibrium with the relative humidity of the environment in which it is exposed and, when the climate changes, shrinkage and swelling occur. The continuous succession of these phenomena, to which we do not pay much attention especially in closed houses, leads to the appearance of cracks and splits in the wood or more or less evident deformations.<\/p>\n\n\n\n<p>Furthermore, there is another aspect that is less intuitive but which, if we have artefacts covered in polychromes to protect, makes the question even more delicate, and all the more reason it becomes more important to pay the utmost attention to the question of the dry-humid environment.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>Wooden artifacts and their paints or varnishes applied as decoration or to protect the wood, behave differently with respect to changes in humidity in the environment. If wood tends to swell when it absorbs moisture, paint and varnish behave in the opposite way, i.e. they tend to shrink. Conversely, when the wood shrinks because the environment becomes drier, the paints and varnishes expand. We can then guess that the paint will be easier to crack and detach from the support.<br>The ideal parameters for the correct conservation of wooden artefacts can be widely found in the literature, which agree in establishing the relative humidity at around 50% and a temperature at 20-22\u00b0C. However, it is important to understand that the greatest attention must be paid to the sudden variations and short-term fluctuations that wood may have to undergo, because an object can adapt over time to the environment in which it lives and with which it enters into balance, but it can never adapt without consequences to changes in the environment.<\/p>\n\n\n\n<p>You can find the full article at <a href=\"https:\/\/www.keepartforever.com\/index.php\/it\/magazine\/28-la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni\">keepartforever.com<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"COME CONSERVARE STATUE in LEGNO e TERRACOTTA - KEEP ARTE FOR\u018e!VER con Eda Murti\u0107 e Sonia Spiniello\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/Mqx7MCzg8mU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Since ancient times, wood has been one of the best known and most used materials in the world. Being a transformable and highly adaptable material, it helped to start man&#8217;s first technological processes: it was the first simple machine, i.e. the lever (partridge stick, wedge, bow), the first complex machine (plough, loom, mill ), the [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":1759,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-1756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-processing-and-techniques"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Wood conservation: relative humidity (UR) and the main alterations - FineArt Uk Magazine<\/title>\n<meta name=\"description\" content=\"Wood is one of the most tested materials and, despite being of organic origin, its properties challenge the centuries and millennia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Wood conservation: relative humidity (UR) and the main alterations - FineArt Uk Magazine\" \/>\n<meta property=\"og:description\" content=\"Wood is one of the most tested materials and, despite being of organic origin, its properties challenge the centuries and millennia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\" \/>\n<meta property=\"og:site_name\" content=\"FineArt Uk Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2023-05-25T07:23:58+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-05-25T07:26:28+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"670\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eda Murti\u0107\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eda Murti\u0107\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\"},\"author\":{\"name\":\"Eda Murti\u0107\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/person\/8b1fb9242f3265338784819381edcde6\"},\"headline\":\"Wood conservation: relative humidity (UR) and the main alterations\",\"datePublished\":\"2023-05-25T07:23:58+00:00\",\"dateModified\":\"2023-05-25T07:26:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\"},\"wordCount\":530,\"publisher\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#organization\"},\"image\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg\",\"articleSection\":[\"Processing and Techniques\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\",\"name\":\"Wood conservation: relative humidity (UR) and the main alterations - FineArt Uk Magazine\",\"isPartOf\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg\",\"datePublished\":\"2023-05-25T07:23:58+00:00\",\"dateModified\":\"2023-05-25T07:26:28+00:00\",\"description\":\"Wood is one of the most tested materials and, despite being of organic origin, its properties challenge the centuries and millennia.\",\"breadcrumb\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg\",\"contentUrl\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg\",\"width\":670,\"height\":900},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Wood conservation: relative humidity (UR) and the main alterations\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#website\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/\",\"name\":\"FineArt Uk Magazine\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#organization\",\"name\":\"FineArt Uk Magazine\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/03\/logo_fineart.png\",\"contentUrl\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/03\/logo_fineart.png\",\"width\":892,\"height\":115,\"caption\":\"FineArt Uk Magazine\"},\"image\":{\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/logo\/image\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/person\/8b1fb9242f3265338784819381edcde6\",\"name\":\"Eda Murti\u0107\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/Eda-Murtic-Keep-Art-Forever-1-150x150.jpg\",\"contentUrl\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/Eda-Murtic-Keep-Art-Forever-1-150x150.jpg\",\"caption\":\"Eda Murti\u0107\"},\"description\":\"Eda Murti\u0107 is conservation scientist, art care expert and founder of the company Keep Art Forever. She has always been passionate about art and science, she graduated with a thesis work at the Microchemistry and Microscopy Art Diagnostic Laboratory (M2ADL) of the University of Bologna-Campus Ravenna. Her work will earn her the third place for the prize \\\"Diagnostics at the service of restoration and conservation\\\" issued by the ANEDbc Association, and the publication in number 121 of the Kermes magazine. In 2019 you won the Startup tender organized by the Municipality of Ravenna and FEEM, with the Airitage project. She will then give life to an innovative method of approaching the care of collections and artistic assets through the investigation of the environment. You create the Keep Art Forever brand and in 2021 Kafe S.r.l., a company specializing in preventive conservation services. Discover Keep Art Forev\u018e!r\",\"url\":\"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/author\/eda-murtic-art-care-expert\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Wood conservation: relative humidity (UR) and the main alterations - FineArt Uk Magazine","description":"Wood is one of the most tested materials and, despite being of organic origin, its properties challenge the centuries and millennia.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/","og_locale":"en_US","og_type":"article","og_title":"Wood conservation: relative humidity (UR) and the main alterations - FineArt Uk Magazine","og_description":"Wood is one of the most tested materials and, despite being of organic origin, its properties challenge the centuries and millennia.","og_url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/","og_site_name":"FineArt Uk Magazine","article_published_time":"2023-05-25T07:23:58+00:00","article_modified_time":"2023-05-25T07:26:28+00:00","og_image":[{"width":670,"height":900,"url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg","type":"image\/jpeg"}],"author":"Eda Murti\u0107","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Eda Murti\u0107","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#article","isPartOf":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/"},"author":{"name":"Eda Murti\u0107","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/person\/8b1fb9242f3265338784819381edcde6"},"headline":"Wood conservation: relative humidity (UR) and the main alterations","datePublished":"2023-05-25T07:23:58+00:00","dateModified":"2023-05-25T07:26:28+00:00","mainEntityOfPage":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/"},"wordCount":530,"publisher":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#organization"},"image":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage"},"thumbnailUrl":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg","articleSection":["Processing and Techniques"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/","name":"Wood conservation: relative humidity (UR) and the main alterations - FineArt Uk Magazine","isPartOf":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#website"},"primaryImageOfPage":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage"},"image":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage"},"thumbnailUrl":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg","datePublished":"2023-05-25T07:23:58+00:00","dateModified":"2023-05-25T07:26:28+00:00","description":"Wood is one of the most tested materials and, despite being of organic origin, its properties challenge the centuries and millennia.","breadcrumb":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#primaryimage","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg","contentUrl":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/la-conservazione-del-legno-l-umidita-relativa-ur-e-le-principali-alterazioni-cover-2.jpg","width":670,"height":900},{"@type":"BreadcrumbList","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/the-preservation-of-wood-relative-humidity-ur-and-the-main-alterations\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/"},{"@type":"ListItem","position":2,"name":"Wood conservation: relative humidity (UR) and the main alterations"}]},{"@type":"WebSite","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#website","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/","name":"FineArt Uk Magazine","description":"","publisher":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#organization","name":"FineArt Uk Magazine","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/logo\/image\/","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/03\/logo_fineart.png","contentUrl":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/03\/logo_fineart.png","width":892,"height":115,"caption":"FineArt Uk Magazine"},"image":{"@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/person\/8b1fb9242f3265338784819381edcde6","name":"Eda Murti\u0107","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/#\/schema\/person\/image\/","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/Eda-Murtic-Keep-Art-Forever-1-150x150.jpg","contentUrl":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-content\/uploads\/2023\/05\/Eda-Murtic-Keep-Art-Forever-1-150x150.jpg","caption":"Eda Murti\u0107"},"description":"Eda Murti\u0107 is conservation scientist, art care expert and founder of the company Keep Art Forever. She has always been passionate about art and science, she graduated with a thesis work at the Microchemistry and Microscopy Art Diagnostic Laboratory (M2ADL) of the University of Bologna-Campus Ravenna. Her work will earn her the third place for the prize \"Diagnostics at the service of restoration and conservation\" issued by the ANEDbc Association, and the publication in number 121 of the Kermes magazine. In 2019 you won the Startup tender organized by the Municipality of Ravenna and FEEM, with the Airitage project. She will then give life to an innovative method of approaching the care of collections and artistic assets through the investigation of the environment. You create the Keep Art Forever brand and in 2021 Kafe S.r.l., a company specializing in preventive conservation services. Discover Keep Art Forev\u018e!r","url":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/author\/eda-murtic-art-care-expert\/"}]}},"_links":{"self":[{"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/posts\/1756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/comments?post=1756"}],"version-history":[{"count":1,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/posts\/1756\/revisions"}],"predecessor-version":[{"id":1760,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/posts\/1756\/revisions\/1760"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/media\/1759"}],"wp:attachment":[{"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/media?parent=1756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/categories?post=1756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fineart.dimanoinmano.co.uk\/magazine\/wp-json\/wp\/v2\/tags?post=1756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}